So here’s where I start to turn on the nerd a little bit… This painting, while definitely being high Victorian (as evidenced by the cluttery nature background and the ‘false modesty’ drape for the boy while leaving the girl nude aside from the flowers which are an allegorical reference in and of themselves), is also a masterclass in emulating high Renaissance portraiture ideals, 18th century framing and pastoral design, and 17th century color palettes. And that, my friends, was a run-on sentence of epic proportions.
I love this work because it shows a striking balance of color, composition, and simplicity despite being incredibly complex stylistically.