I feel like this is a study of everything I dislike so much in 17th Dutch painting: it’s a monochromatic study in browns of the interior of a church in a hyper-realistic psuedo-photographic style. It’s too much of a muchness. It’s the world duplicated in an exactness that is depressingly real, but in monochrome brown. (And to me, brown is the antithesis of color: it is all colors mixed together, so it isn’t really a color at all, but rather a lack of color.)