Thursday

On the one hand, this is extremely gorgeous and a wonderful example of enameling. On the other hand, the Virgin Mary looks like she’s going, “Oh shit, are you fucking kidding me?” in response to the news that she’s going to have the baby Jesus. Guess it’s not just the modern teenaged mothers with the elements of shock and awe on their side, eh?

Saturday

So… fun times. Religious art again. Because, ya know, Bible Belt and all. I am not a massive fan, but hey, it’s a huge part of our world heritage and so on and so forth. Whatever, it’s a thing. What bothers me about this is the descriptive plaque being completely ignorant about the fact that Mary would likely not have owned a Torah, and likely she would not have been reading even had she been a wealthy Jewish woman of the time, let alone marrying a carpenter – but yeah, let’s creatively fudge the facts to fit the Jesus mythos.

Sunday

I feel like this is a study of everything I dislike so much in 17th Dutch painting: it’s a monochromatic study in browns of the interior of a church in a hyper-realistic psuedo-photographic style. It’s too much of a muchness. It’s the world duplicated in an exactness that is depressingly real, but in monochrome brown. (And to me, brown is the antithesis of color: it is all colors mixed together, so it isn’t really a color at all, but rather a lack of color.)

Saturday

I can see how this would have looked 100% different brand new, before urban blight and icon worship set in. It would have been a glorious thing; now it’s just kind of sad, really. I mean, it’s still beautiful and a super high level of craftsmanship, but it just looks like it’s been used and abused for a few hundred years.

Thursday

If you know me at all, you know that religion is not my thing. I mean, yeah, I know the tenants of Christianity and I can recite a bunch of blah blah blah because I was brought up in it, but I’ll still always call this the ‘pretty Jesus box’ because I’m a sacreligious cow. And it is the pretty Jesus box.

Wednesday

What I really like about this is that you can tell it’s super experimental in form and style. They aren’t afraid to make mistakes and screw it up because they’re testing how it all works! This style of enameling is what would eventually become the master styles of Faberge in the last 19th and early 20th century, but, again, it took centuries of experimentation to get that far.

Sunday

So, hey, it was totally a thing with the religious artists to paint prostitutes and adulteresses with their breasts exposed or partially exposed because that’s apparently how you tell someone is a hooker or sleeping with someone not their husband. Don’t get me started on Christ and the Woman Taken in Adultery, yo. We’ll be here all night. But yes, it is a theme. Apparently, it’s a theme that extends to reformed prostitutes turned saints, as well, because, oh hai Mary Magdalene’s boobs for no particular reason whilst angels get eyefuls adoringly, also for no particular reason. Classy, y’all. Why exactly the reformed prostitute saint is being carried aloft into the sky by angels as if she’s a Boeing jet is anyone’s guess, but we’ll leave that to your imagination and hope that your guess is better than mine.